Book Review: Alice in Love and War by Ann Turnbull

Alice Newcombe is unhappy at her uncle's farm. When soldiers from the royalist army seek food and shelter there, she is infatuated with Robin, who gives her kisses and is kind to her. As their relationship quickly develops, Alice knows the path she wants to take: she'll follow the army train so she can be near him at all times, and soon they will be married.

But war does not always go as planned, for anyone. Alice is thrust into the tumult of the English Civil War at the tender age of sixteen, surrounded by strangers, homeless, with no wealth but the knowledge in her father's apothecary book to support her. Her journey leads her to the arms of good people and bad, and just when all seems to go well, it goes horribly, horribly wrong.

The back of this book makes it sound like a typical  romance--please do not go into it thinking it is, or you will probably reach page 35, chuck the book across the room, and wonder how anything could be even worse than Twilight.

By page 35, Alice meets Robin for the first time, sneaks out of the house to smooch him a bit, he takes her virginity, and she's convinced she's completely and totally in love and that they'll get married soon and live happily ever after.

At this point, I was groaning. I had never encountered a character so unbelievably stupid. There was no character development (save for Alice's stupidity) and I thought for sure that this was how it was going to continue: lalala, love love love, then maybe Robin gets killed in the war and she has to grow up a bit. The end.

But then the book shaped into something so much more. Perhaps I should have seen it then--because really, when a character is so mind-numbingly dumb, where is there to go but up? And Alice reaches for the moon and lands among the stars. While she's still hoping on Robin for a good half of the book, the reader begins to see that the situation is hopeless--Robin isn't all he seems, and didn't want love at all. This isn't a happily ever after. Alice goes through difficulties which make her grow up sooner rather than later. She is employed in a good house making herbal teas and poultices for the family. She witnesses the horrors of war first hand and has a great responsibility thrust upon her shoulders. She sees more of the world, and craves to see even more--to learn and grow and become useful.

Alice by the end of the book is nothing like the Alice in the first 35 pages. She is more careful, likable, clever, and bold--at least as much as she can be as a woman in the 1640s.

And the plot, while still a romance, focuses much more on Alice's growth as a character. There is so much symbolism chucked in here I started writing an essay in my head before remembering I'd already graduated. It's a coming-of-age story and a becoming-a-woman story. While set in a historical period, I think there is much to be gained by teenage girls of today reading this book. It's an empowering story of faithfulness and friendship, and faithfulness to yourself.

I was also impressed with the historical details, big and small, that make it clear this is one well-researched book. The setting and time period jump from the pages and suck you in until you've read every last word.

The woes of visas, etc.

Dear god, does it ever end?

I have been staring at this visa application since before we got married in November, and I'll continue staring at it because it is the visa that never ends, it will go on and on my friends. Some people started applying not knowing what it was, and they'll continue applying forever just because...

No, but seriously.

My visa application STILL isn't in. And you know what I realized today? I have two and a half months left on my current visa.

Two. and a half. months.

Now, we have everything sorted--and that probably sounds like plenty of time to someone who hasn't been in a long distance relationship before and doesn't know the pain and suffering caused by separation. So what I see right now is two and a half months before separation has to occur, and, well, it's a bit panic-inducing.

I realize there's nothing REALLY to panic about. We're going to submit this mammoth on Monday.

Except we were going to submit this mammoth in early February. Then in early March when we couldn't get everything certified. Then this past Monday (surprise work!). Then Tuesday (surprise work!). Then Wednesday (surprise plague!). Then Friday (surprise work!). (For those of you wondering, Thursday was planned-work).

Don't get me wrong, I'm not complaining (well, except about the plague bit). But it seems like something is constantly coming up to get in the way of us submitting this thing. And it really shouldn't be this hard to coordinate a time for us to both get to the post office to get some gosh-darned passport photos done, but dear god, it is.

Then there's the uncertainty: do I include police checks and medical checks, or don't I? They're on the document checklist, yet the forums say to wait until you're asked due to the time constraint--both things are only valid for a year, and if it takes more than a year for your visa to be processed, you have to get them redone anyway. I'm leaning toward that because it means I can submit it on Monday. And SO many people have posted it and also gotten their visa approved, how can I be nervous?

But what if we don't have enough evidence of our relationship? For people who have been together for seven years, we certainly don't have the kind of evidence they're looking for! (Wills? We have to make wills? I'm 23, I don't want to face my own mortality!)

I wouldn't be this nervous if the visa didn't have such a hefty price tag, but there you go.

What this post boils down to: I am going to submit this visa application on Monday, gosh darnit. I am going to pay that fee, and I am going to hand this mammoth across the counter. Then I will be on a Bridging Visa, which means separation does NOT have to occur until a decision is made on the partner visa. Then I will be asked for a medical and police check, which is a sign that the visa will soon be approved, and I will provide them. Then my visa will be accepted. Then everyone will live happily ever after.

And no one will have to say goodbye at an airport again.

The end.

(Hopefully this isn't like Disney After Ever After.)

Thank you for allowing me this talk, everyone. You're very kind. I'll just be over here, breathing. Calmly. Rationally. Not thinking about airports.

New Blogging Challenge: Camp NaNoWriMo Status Updates

I have decided that I work best with short-term goals. This "blogging every day for the rest of my life thing" hasn't worked out so well for me, but "blogging every day for a week" certainly did, and "reviewing every book that I read" is going well, too. Therefore I have decided to present myself with various goals once I've finished one up in order to continue blogging relatively regularly. My newest one is this:

Every day in the month of April, I will blog every day about the state of my April NaNo Novel. These blog posts will contain the following in formation.

How many words did you write today?
How long did it take you to write them?
How many times did you use Write or Die?
On what settings?
How many Facebook breaks did you take?
How many characters have you killed off to date?
How many characters have died for the sake of word count?
How many NaNoWriMo Angels have you murdered? (note: using the backspace key murders NaNoWriMo angels).
Have you stopped using contractions yet?
Total NaNoWriMo Word Count So Far:
Words to Goal:
Days Remaining:

This questionnaire is a work in progress and has the potential to evolve as the month goes on, but the basic idea is there. I will also probably include complaints about how hard life is, wondering why I do this to myself a few times every year, singing praises to the plot bunnies for a good idea, and possibly even post excerpts and hope no one judges me for my NaNo-content.

I invite as many people as willing to join me on this April blogging quest. Feel free to leave questionnaire suggestions in the comments and I'll add them in! This is a fun way to keep track of your status and record your April NaNo journey.

Book Review: The Runaway King by Jennifer A. Nielsen

This is the second book in The Ascendance Trilogy which began with The False Prince. As such, this will contain spoilers for both the first book and also possibly this one once I get into it. If you don't like spoilers, you should read the books before reading this review. Also, apologies for inconsistencies, incoherence, and typos--it's late, I have a cold, and I'm still trying to work out my feelings about this book.

Jaron is king of Carthya, restored to his birthright and driving his regents mad with his sneaking out and insulting the servants. On the night of his family's funeral, he can be found in the garden, early for his own assassination--attacked by pirates, he's warned that if he doesn't concede Carthya to Avenia, the pirates would take care of it for him. Meanwhile, his regents plot to install a steward until he is of age in order to put an end to his antics. Sent away from Drylliad, Jaron knows he has only one choice: kill the pirate king and put an end to the pirate attacks on his country. There's just one problem... people who find the pirates don't usually find their way back again.

Okay. First of all, please know that The False Prince is ranked right up there with Bitterblue and Sorcery and Cecelia and Tamora Pierce and Phillip Pullman and--well, you get the idea. I read the first book in this series as an advance, eight months before it was released, so soon it was still in manuscript form, all printer pages bound in a ring. I loved it. I loved Sage, I loved the mystery and the suspense, I loved the politics and not knowing what happened next or how it was going to get to the conclusion I was sure I had puzzled out.

This book, The Runaway King, didn't hold as much appeal. There are so many different factors that I might repeat myself as I attempt to explain, but it simply wasn't as good.

In short, I think the main, biggest, massive problem is that it's marketed for Middle Grade--that is, under 12s (ish). I'm not sure what the published copy of The False Prince ended up being marketed toward, but my advance copy said "8+." 8+? Are you kidding me?

For the False Prince I disagreed with it because of the violence and killings seen in the first few chapters. Also the fact that much of what went on in Jaron's head would have been beyond most 8 year olds' comprehension--which I suppose I shouldn't judge, given that I quite enjoyed His Dark Materials at 10 and had no inkling it had anything to do with religion. But there you go.

For The Runaway King, I'm against the rating (10+) because I believe it's placed restrictions on the book that held it back from being just as awesome as the first. It was short, only 322 pages. While the book takes place in the space of 10 days, I believe that when a story takes place in a short time frame there's simply more reason to expand. This book could certainly have done with expansion. Character motivations, for a start (Jaron's for insisting on trusting Roden, Roden's for being trustworthy at the end). Political motivations. New character development. So much happened in those 10 days and I feel like the surface was barely scraped.

Other issues:

Sage. Jaron. He wasn't the same as he was in the previous book, and perhaps having the weight of kingship on his shoulders had something to do with that. In which case, I understand that he's a bit mean. But it also seemed like he wasn't quite as clever, despite the fact that he does get up to a lot of mischief. Perhaps we were simply more in his head than we were in the first one.

Speaking of which, much of the fun was taken out of the book because of that. I could anticipate Jaron's ever move, or nearly. He had a bunch of people who now knew his style of tricks--characters from the previous novel. Which is fine. But it seemed to me that it would make more sense to attempt to change his style and adapt rather than get up to the same old tricks again. Yeah, okay, the broken leg at the end threw a loop in his plans but it seemed forced.

Perhaps what I'm getting at is that there wasn't as much intrigue in this one as there was in the last. How could there be, with that mystery solved? I suppose there was a mystery in this one too--"How will Jaron escape the pirates?"--but the ending was incredibly predictable. I could have told you that was going to happen at the start. Granted, I could have told you the ending of the False Prince at the start too, except with that one the more I read the more it seemed impossible. With The Runaway King, every solution seemed too easy. Which I guess goes back to the fact that it was marketed as Middle Grade, and thus had to read like it. If more of the characters' motivations and such were shown, I would have been less inclined to think each solution was so easy. As it was, I was a bit disappointed with the plot and the characters.

I don't mean to say it wasn't worth the read. It was. I LIKE the characters well enough, I liked their interactions, I thought the plot line was good for what it was--a middle grade story. If I had gone into the book expecting to be taken on a journey with pirates and sword fighting and a medieval setting with a middle grade flair, I would have quite enjoyed it. But I went in thinking it was going to be The False Prince, and it wasn't. It could be a book that sweetens with rereads, a theory I hope to test soon.

I also don't want anyone thinking I'm not going to read the third book. Of course I will. It's been my experience that second books in a trilogy aren't always the best--it's the first or third books that are usually people's favorites. I'm excited to see what the third book has to offer (at the very least, it's going to be difficult to accomplish an entire war in 300 pages. Here's to Book #3 being longer than the last!)

If you have not yet read the False Prince, please do--it's an excellent book that needs to be read by more of my friends so we can have excited talks about it. And if you read The False Prince, don't hesitate to read its sequel. If you're anything like me, you're dying to know what happens next. The Runaway King wasn't a bad book by any means--it's certainly more entertaining than half the books I've read so far this year. It was simply different, and if you go into your reading adventure with that in mind, you won't be disappointed.

Book Review: Enchanted Glass by Diana Wynne Jones

I finished this days ago and have been super lazy with my blog posts--apologies.

When Andrew Hope inherits his grandfather's field of care, he doesn't know what he's gotten himself into. It's much more than taking on a crotchety old gardener who dumps tasteless vegetables into his arms each day; it's more than an equally crotchety housekeeper who keeps shoving the piano back into its place in a dark corner, and only makes cauliflower cheese for dinner; it's even bigger than a giant named Groil who eats all those tasteless vegetables after they're tossed up on the roof, though he has something to do with it. Where it really starts and ends is with Aidan Cain, a boy who shows up on Andrew's doorstep with things chasing after him, bearing little more than a wallet that can make its own money and a handy magical trick with his glasses. Together with a handful of other quirky characters, they must find out why Aidan is being pursued and how to stop him from being taken by those pursuing him.

Reading this book was bitter-sweet, as it's one of the last books Diana Wynne Jones--one of my absolute favorite authors--published before she died. I drank up each page knowing that there would be nothing new from her in the years to come. Perhaps that's why I put of reading it for so long. I feel like awesome authors should be granted an exceptionally long life, if not immortality.

That said, it wasn't my favorite of hers by a long shot. It did contain all the magic every DWJ novel contains--that quaint, small-town-England, magic is every day and completely accepted, magic. Not only giants and were-dogs and ghosts and fairies, but that small-town feel that makes you feel like you've been plopped in the middle of the British Isles and you don't want to return home. Harry Potter had that, and so did His Dark Materials. I don't know what it is about Britain, but it's magical. And DWJ knew that, and she wrote it perfectly.

Her characters are always fantastic, too--full of quirks like those above, completely individual and persistent in their individuality, funny and lovable even at their most annoying, the kind of people you wish you could sit in a room with and just watch with your knuckles tucked into your mouth to keep from laughing. They're so real you can see them in the room with you. I'm pretty sure Mrs. Stock was based on my grandmother, but don't tell her I said that.

The magic and the awesome characters are what kept me going. The plot itself dragged a bit for me. I don't think it was a case of "I'm getting too old for this" either--I didn't really see where the plot was going for a while, it seemed like mostly it was an exploration of character, which is fine, but a balance does need to be struck. 3/4 of the way through I had trouble keeping focused on what was going on and getting a bit tired of cauliflower cheese.

That isn't to say that this book isn't worth a read--like I said, I quite liked different aspects of it, it just didn't fully come together for me. Besides, it's Diana Wynne Jones--if you're a fan, you have to read it!

If you haven't read any Diana Wynne Jones before, I highly recommend starting with the Chronicles of Chrestomanci (Charmed Life OR The Lives of Christopher Chant first!) or Howl's Moving Castle. Both of them are awesome and really give you a feel for DWJ. Like I said, she's one of my favorite authors, and one of those people I think is in the "new children's classics" category, right up there with Harry Potter.

Updates

Phew--well, this week flew by in a mess of deadlines and topic brainstorming! I've sent in my first articles to both of those writing jobs I was talking about in a previous post.

To clarify, I'm definitely doing one of them each week-- the one where I get to pick whatever I want to write about and put it up once (or more) a week. That's for Top Shelf Magazine, which I highly recommend for some fun reading. And to my writerly friends, I'm not sure, but they might still be taking new writers on, if you're interested. It's unpaid, but a great way to get your name in print and something to put on your resume. I know a lot of you would be writing for fun anyway--why not get it published?

The second was for Today I Found Out, the site with articles about random facts. I was presented with three different options to write about. I started off writing about how blackboard chalk isn't actually chalk, but couldn't find enough information about it to write a nearly 1000 word article (yes, okay, chalk is gypsum--but when did it switch to gypsum? Why? Couldn't find answers to my burning questions.) The one I ended up writing about was on Vasili Blokhin, the man who killed over 7000 people in 28 days, one at a time, becoming the world's most prolific executioner. Interesting stuff. I'll link you if it gets put up on the site.

With that job, I sent in a few writing samples and was put on a short list. The people on the short list were all sent a few topics (not sure if we had he same ones or not) and they'll pick 1-3 people to write regularly for them based on those articles. Fingers crossed mine was better than the majority, but to avoid disappointment I'm not holding my breath--even if this would be a really cool opportunity!

It felt SO good to be able to put up some deadlines on the calendar. I'm submitting Mondays for Top Shelf, so my Mondays this month all have "TS article due!" on them. Ahh, at last--a schedule of sorts!

I've also told TIFO that I can write two articles each week. Might submit to them and TS more often than that if I don't get a real job soon. Something to fill my days, right?

Meanwhile, I've been neglecting this blog. No worries, I'm just going to finish reading "Enchanted Glass" by Diana Wynne Jones and also attempt to get rid of this ick-feeling I've been having so I can get out and DO something. So--stay tuned.

It's time for NaNoWriMo... again.

I honestly can't count the number of times I've participated in NaNoWriMo anymore, not since it became less "national novel writing month" and more "national novel writing monthS." I've been doing the November one since 2004, so that's easy enough, but all the ones in between? I have no idea.

And here we are again, on the launch evening of a brand new season of Camp NaNoWriMo. Last November might have been my most painful of all NaNoWriMo experiences so far, but I find myself filling in novel information and cabinmate requests and writing first sentences (blank pages are daunting) and generally wondering why I do this to myself multiple times every year.

It's the thrill of competition, I think, more than anything. I don't count myself a very competitive person--I've never understood sports of any kind, for instance. But when it comes to word-writing, I just HAVE to finish, even through sweat, blood, and tears. There's just something about writing 50,000 words in a month that makes me feel like I've accomplished something, and falling short is not on option (except in 2011 when I was in the middle of writing a 60-page history thesis AND a 400-page English thesis--but I don't allow myself other excuses.)

I've never completed a novel with NaNoWriMo, but the important thing is that I've been WRITING. That's the most important part of a writer's career if you hadn't already guessed, and yet we allow so many things get in the way of it: jobs (or job hunting), reading, household chores, the cat, Facebook, etc. This blog is the only thing I've really been writing since November.

That ends now. I want to be a published author, dangit, and I need something to publish to make that happen.

So. NaNo. I'm going to do Camp NaNoWriMo in April, and I'm going to reach 50,000 words, and then I'm going to write another 30,000 words in the months following, hopefully completing the story I've only half-planned, and then I'm going to edit it, and so help me, by November I'll have polished it enough to feel comfortable sending it off to places.

There. That's my new writing goal. Are you participating in NaNoWriMo? What are your hopes for your writing future?

What I think of e-readers after actually using one.

This is using Cal's Kindle, the normal, cheap-o one--not a touch screen, with the screen about the size of a mass market paperback's pages. I recognize that different e-readers have different features, so if you read something below and can advise that a different e-reader doesn't compare with something I've said, please do so!

THINGS I AM OKAY WITH:

1. The screen. The screen did not hurt my eyes like I thought it would. There WAS sometimes a glare when reading by lamplight, which was annoying, but not a big enough issue for me with this book to complain about it. I was reading mostly during the day, and natural light was fine.

2. Insta-delivery of books is pretty cool. I enjoy that.

3. Carrying ALL the books with you wherever you go. This would have been pretty convenient if I'd had one before I left home and somehow managed to afford an e-copy of all the books in my library. I've been missing some of them. This would also be good for when Cal and I go to Europe and can't afford to have space in our backpacks taken up by however many books I can read in a month.

THINGS I HATE:

1. The buttons on the side to "turn" the pages. On the kindle, there is a big button on either side with a little button on top of it. The big button is to go forward, the little button is to go back. My problem with this is in two parts. a) I kept accidentally clicking the buttons when, say, turning it on, or simply just sitting there. And woops, there goes my page. b) When such a thing happens you could click one of the buttons to make it go whichever way, right? Easy as. But for some reason it's hardwired into my brain that clicking the RIGHT buttons makes it go forward, while clicking the LEFT buttons makes it go back. None of this big button/little button stuff. So I'd accidentally go forward a page and then click the left big button a few times trying to find where I was supposed to be, only to realize that I was going forward even more.

2. The above wouldn't such a huge issue if there were any gosh-darned page numbers on the thing! Particularly those times when I turned it on and accidentally clicked the button, I often had no idea where I was and had to ruffle through trying to figure out where I left off. You can't put a bookmark in it, it just remembers where you were--whether you got there accidentally or not! (Not that I use bookmarks in books, anyway--because I have a great memory for page numbers -- which this doesn't have!)

3. There is no way that I discovered to find out how close you are to the end of a chapter, unless you click through the pages a bunch of times and click back. I prefer ending my reading session at the end of a chapter (this would ALSO make it a lot easier to figure out where I needed to start when I accidentally click the buttons turning it on). I suppose you could say you have to rifle through pages in a real book too, but when you're done rifling through 20 pages trying to find the end of the chapter, then you just flip 'em back into place and continue reading. I mean, I would consider it pretty dim not to keep a finger/bookmark/cat on the page you were reading while you're doing that, anyway.

4. Having to recharge a "book" seems pretty stupid to me.

5. It does not smell of book.

6. It does not feel of book.

7. There is no pretty cover for people to exclaim, "What's that you're reading??" and strike up an interesting conversation with people. Normally I hate it when people ask me what's that you're reading?? But when they do it with books it's because the cover looks like something they'd like to read and you can tell them about it. When they do it with Kindle they have nothing to go off of, so when you answer and they find out that it isn't Hemingway's Complete Works and get all disappointed, you're left in some social awkwardness hoping he gets off the bus really soon.

8. The pricing of a large number of the e-books that I looked up was roughly that of a paperback, but you don't get the physical book. As a writer, I think I would demand that of my own books if they go digital. However, as a reader, it seems silly to me to pay the same price for something that you can't hold and display on a shelf. I do see quite a few deals, so I suppose you just have to hit it at the right time.

9. You can't just browse e-books as you might books--I don't mean in a bookstore, but even online, it isn't the same. Not with Amazon's "everyone and their brother can get published, here you go" scheme. No offense to anyone who self-publishes, but you have to admit it's a dangerous thing to give people free reign of the industry. I found several interesting looking e-books which I was smart enough to take a peek at before buying. Absolutely riddled with typos, the first pages looking like something I wrote when I was twelve... it was awful. So instead, I had to look through my Goodreads "to-read" list and see if there was a kindle edition available. (Note: mostly, there wasn't.)

REASONS I WOULD CONTINUE USING AN E-READER:

1. Travel, as stated above. I'll actually buy my own before Europe (or we might get a bigger tablet of some description so that we don't have to bring our laptops and can Skype with that). It's a lot smaller than a bunch of books and therefore more convenient to people living out of a single backpack for a month or more.

2. Those times few and far between when I've run out of new books and various bookstores and libraries are closed and I don't feel like rereading what's on my shelves. Assuming I can find an e-edition of various titles, this seems like it will be convenient.

However, this will NOT be an all the time thing. I was going absolutely mad. Perhaps you get used to the buttons. But if I can't get used to them after reading an entire book (nearly 500 print-pages long!), I really don't know that I'll ever get used to them. Perhaps other e-readers don't have such stupidly placed buttons. Others can advise me on that below.

Book Review: A Stranger to Command by Sherwood Smith

Okay, hold up--an entire book about Vidanric Renselaeus, Marquis of Shevraeth? How had I not read this before now? I admit, I knew it existed--I must have just forgotten how much I adore this character or something. Maybe my brain has grown fuzzy with age. Whatever--finally, the deed is done, and it was quite enjoyable. (WARNING: Crown Duel and Court Duel spoilers!)

Fifteen-year-old Vidanric Renselaeus has been sent away by his father to Marloven to learn the fighting arts. In part, because Vidanric was a prime target for a convenient, tragic accident at the hands of Galdran's cronies. And in part because, as he learns later, he needs to learn how to command an army if there is any hope he'll take down Galdran and become king himself. The book covers three and a half years, during which Vidanric goes from a learner, to a teacher, to a commander, making friends and enemies and mistakes along the way, smoothing his path to becoming a king.

Lame plot summary--I shouldn't be doing this late at night. But the idea is there. The character development in this book is amazing. The Vidanric we meet at the start is not the one who becomes king in Court Duel, nor even, really, the "court-bred fop" imagined by Meliara in Crown Duel. He is a teenage boy fresh from his father's pocket with no idea of the destiny in store for him. He doesn't want to be in Marloven learning the sword, he doesn't understand why he must learn to ride like a Marloven, he doesn't really care to think like a commander because he doesn't want to be one--but he does it all because daddy told him to, and there must be a reason.

By the end, he's everything we see in Crown and Court Duel, and more importantly, we see why. When reading C&C, I always thought it a bit odd that he knew so much about commanding and killing and wondered how he'd learned so much. Here, you can see how each decision formed him into who he becomes--and there are so many parallels with Meliara's story, I was laughing out loud. Those parallels explained their relationship to me, too; the attraction he felt for her, while I didn't really question it, did seem a bit off. It doesn't anymore. He IS Meliara, just a bit further along.

As you can imagine, a Shevraeth-who-is-Meliara is insanely amusing. But somehow, it all works.

It was interesting, too, to discover a new part of Sartor. Marloven is just as rich as Remalna, perhaps more so, and largely military-based. Thus, the book was packed with military strategy and knife throwing practice and politics and what have you, which I quite enjoy in my reading, but which probably weren't as action-packed as they sound. As with other books I've reviewed, I can see some readers losing interest, but for me it was everything I expected.

I do have complaints with this book that I didn't in C&C. Most prevalent was the constant switch in perspective. This wasn't just Vidanric's story--it was also Senrid's and Senelac's and a few others. But it wasn't that these characters were offered a chapter of their own. It was like it was third person omniscient in some places, which I haven't encountered often and I didn't really like the way it was executed here. It almost seemed like the easy way out--the reader learns things that maybe the reader doesn't really need to know. For instance, at the height of action, we're told "they couldn't know there wasn't really any danger" and I was like, well, that's a let down--why not build up the suspense until it's all certain? There were several moments like that. I didn't feel like the omniscience added anything to the story, but rather took away from it.

There were also a lot of instances where I was completely thrown off and confused--largely because this, rather been being a prequel to C&C, also acts as a sequel/bridge to a lot of other books in the same world, with characters popping in who didn't seem to have much of a purpose in the plot line other than to appear for hardcore fans' sake. Sort of like if JK Rowling wrote a book about Harry's children and Neville and Luna got their own side-plot that only kind of had anything to do with what the children were doing, and probably didn't matter in the grand scheme of things.

I mean, it was great that the king was there--he was necessary, but I wasn't so sure that his background, or the fact that he cast some hither-to-unknown-to-me-stopping-his-aging-spell on himself, was that integral. "Sartora" served absolutely no purpose that I could see. Little details kept popping up, which I assume had been explained previously, which hindered rather than helped.

And speaking of characters and plotlines, I felt like the romance aspect of this was a bit forced, but then, maybe I was just glowering with rage because... Meliara, dangit!

And while I'm picking on plotlines, I admit I didn't entirely understand the ending, which felt rushed. It was a long book, but I wouldn't have minded it being longer. I was left with so many questions--does Shevraeth ever see his friends again? What happened in Colend, exactly?

I feel like I'm complaining a lot more than I usually do, but that's probably because Vidanric is my absolute favorite character in literature, hands down. Wait... Numair. Okay, Shevraeth is tied as my favorite character in literature ever. I'm critical of things I love, I'm pretty sure I read that in my birthday book.

Anyway. Despite my complaints, I recommend this to anyone who loved Crown Duel and Court Duel, especially if you were as in love with Vidanric as I was. On that account, this book doesn't disappoint. It's worth it to see how he grows and changes and becomes who he was meant to be--and like I said, the parallels are so funny, but they aren't forced. Go out and get it now and let me know what you think!

**Oh! And I did notice a handful of typos, more than is normal to run across in a book. I read it on the Kindle, so I thought maybe they had a tendency toward more typos or something. Just thought I'd mention it.

***Also, OH MY GOD how it needs a new cover! One that looks like the Vidanric in my head, for a start.

An Update on Writing, In Two Parts

First: I received the "Letter of Doom" from HarperVoyager yesterday. I didn't get in, needless to say (would you call it a Letter of Doom if you did? I suppose it could go both ways).

This was the contest that opened last October and was open to all fantasy/sci-fi authors, promising digital publication for a select few. They said they wanted to publish at least one book a month (but would undoubtedly take more of there were more than twelve awesome books). So, already the chances were higher than ABNA, though I didn't have a whole lot of hope for myself. I do like entering these contests as an exercise in pitch-writing, which I think I need to get better at. Are there classes for such things?

Anyway. I'm glad to finally know, and no worries, I'm not disappointed. Now I'm free to enter more contests! (Or send it off to agents... actually, how about I start that editing process soon, hmm?)

Second, and more uplifting: a little while ago I sent off some applications to write for various blogs and magazines and websites. Almost all of these were on a "paid with experience" basis, which I am perfectly okay with. I just need something to fill my otherwise unemployed time, and having publications out there with something legitimate never hurts, either!

So, a few days ago in my inbox there was an e-mail offering a spot as a regular columnist with an online magazine. I won't go into too much detail yet as I don't have all the details yet myself, but... I'm excited!

AND THEN this morning there was another e-mail in my inbox from one I'd applied to a while ago and thought had probably overlooked me. It's really nice when an e-mail is like "sorry this took so long" but "by the way, you're on the shortlist!" And for this one, there's money involved. I had to quote a price per article in my application. Having absolutely no idea, I did a bit of research and erred on the cheap side from that research--$20/article.

So: I'm writing a trial article for them (todayifoundout.com if you want to look 'em up!), and if they like that enough (and I don't have competition that's too fierce!) I might be invited to write for them regularly (and get paid, too!).

Obviously this isn't "quit my day job" money, but it's money for writing! This is what I've wanted since I was a kid. And I get to learn random facts along the way--what could be better?